In Consideration of Death
A M. Macha NightMare Legacy Project
Thanatopsis* is a group of diverse Pagans who are working together to improve death literacy and to provide resources and information for Pagans interested in or facing choices surrounding death and dying. These include support and vigil for those passing, honoring the body that houses the deceased, memorializing, and grief support.
Thanatopsis seeks to provide education, support, and practical Pagan-oriented and interfaith approaches to all matters concerning dying, death, body disposition, memorializing, and grieving resources, including art and music.
Thanatopsis will adapt to the changing needs of Pagan community as it evolves and stands to help those with matters involving death and dying.
*Than·a·top·sis (thăn′ə-tŏp′sĭs) n. A meditation upon death. [Greek thanatos, death +opsis.] Thanatopsis (ˌθænəˈtɒpsɪs)n. a meditation on death, as in a poem [C19: from Greek thanatos death + opsis a view]
Thanatopsis Coordinators
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M. Macha NightMAre
M. Macha NightMare (Aline O’Brien, M.Div.(h.c.)) is a ritualist, both solo and collaborative; an interfaith activist; and an internationally published author who has contributed to anthologies, encyclopedia, textbooks, and periodicals. She co-authored, with Starhawk, The Pagan Book of Living and Dying: Practical Rituals, Prayers, Blessings, and Meditations on Crossing Over. She has taught workshops called “Meeting Death/Grieving Loss” throughout the U.S. since 1997, an is a co-founder of Thanatopsis: In Consideration of Death. Much of her work in recent years has been in the liminal realm between the magic and the mundane. She serves on the Advisory Boards of Cherry Hill Seminary and the Sacred Dying Foundation, and represents the Covenant of the Goddess and CHS in the American Academy of Religion, Marin Interfaith Council, Marin Interfaith Climate Action (founding member), and at interfaith symposia throughout the U.S. A co-Founder of Hematite Inmate Ministries, Macha currently serves the inmates of the Wiccan circle at San Quentin State Prison.
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Rev. Kathleen Reeves
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Lilith Pearson
Resources
Preparing and Planning for Death
Threshold Choir - Singing for those at the thresholds of life.
Threshold Choir Video: https://youtu.be/NR25A8C6hGU?si=cOcx4_63OKSNejCx
Books:
Augsburger, D. – Caring Enough to Confront
Butler, Katy – Knocking on Heaven's Door: The Path to a Better Way of Death
Cadge, Wendy – Paging God: Religion in the Halls of Medicine
Cadge, W. – Chaplaincy and Spiritual Care in the Twenty-first Century
Canda & Furman – Spiritual Diversity in Social Work Practice
Davies, Simon - Death Meditation
Doehring, C. – The Practice of Pastoral Care
Doka, Kenneth J. – Counseling Individuals with Life Threatening Illness
Dunn, Hank – Hard Choices for Loving People
Dykstra, R. C. – Images of Pastoral Care
Fersko-Weiss, Henry – Caring for the Dying: The Doula Approach to a Meaningful Death
Frank, A. – The Wounded Storyteller
Gawande, Atul – Being Mortal
Gordon, Steve & Kacandes, Irene – Let's Talk About Death
Hilsman, G. J. – Confrontation in Spiritual Care
Jenkinson, S. – Die Wise: A Manifesto for Sanity and Soul
Leming & Dickinson – Understanding Dying, Death, and Bereavement
Milne, Julie M. – Sacred Transitions
Pruyser, P. W. – The Minister as Diagnostician
Roberts, S. B. – Professional Spiritual & Pastoral Care
Satir, V. – The Satir Model: Family Therapy and Beyond
Swinton, Willows et al. – Spiritual Dimensions of Pastoral Care
Wannemacher, M. – Let's Talk About It. Now!
Active dying, spiritual companionship, ritual support, and palliative care
Books:
Anderson, Megory – Sacred Dying: Creating Rituals for Embracing the End of Life
Church, Forrest – Love & Death: My Journey Through the Valley of the Shadow
Della Madre, Leslene – Midwifing Death: Returning to the Arms of the Ancient Mother
Fitchett, George – Assessing Spiritual Needs
Holder, Jennifer Sutton & Aldredge-Clanton, Jann – Parting: A Handbook for Spiritual Care Near the End of Life
Karns, Barbara – Gone from My Sight: The Dying Experience
Miller, James E. & Cutshall, Susan – The Art of Being a Healing Presence
Ram Dass & Mirabai Bush – Walking Each Other Home: Conversations on Loving and Dying
Starhawk & NightMare, Macha – The Pagan Book of Living and Dying
In Memoriam
Dealing with Grief
Thanos: 'a consideration of death', derived from the Greek 'thanatos' (death) and 'opsis' (view, sight).
After Death
Terramation, or Natural Organic Reduction, is a transformative practice that gently converts human remains into nutrient-rich Regenerative Living Soil™ within 2-4 months.
Continuing Bonds and Kispum: a pagan priest’s persepective
Death Shrouds and Coffins
Movies Dealing with Death
Near Death Experiences
Poems, and Articles About Dying & Death
I was 19, he was 22, I was skinny and hot as the steaming coffee I drank black every morning from Jack's Deli. I had the gray, fitted designer winter coat. Men turned when I passed construction sites and whistled and put down their hammers. I could dance to anything - salsa the two step, improv. Just put on music and I was all in.
I stole clothes from John Wanamaker and Saks Fifth Avenue, I had boots, bodysuits, one pound earrings. I danced to Donna Summer, Madonna, Blondie. Under disco balls, under the moonlight, in the Black Banana and Studio 54.
The bouncer always called me to the front of the line. They had nicknames for me, and me for them.
I sweat, I jiggled, I fucked, and I judged other women who couldn't dance, didn't have a sense of style, who ate too much, who were too fat or too loud or too in love or not in love enough. Or were too old wearing too short skirts.
What were they thinking?
I was on top of the world, and I was with a man who loved the wild weed of me, and when he saw me judge another woman or another man, or the male prostitute dressed like Little Bo Peep who hung on my front steps leading up to my apartment, he would say things to me about the people I judged.
He would say look how beautiful she thinks she is.
Or he said, Baby, you don't know her story.
Or he said, she's trying to get attention, let's give her some.
He dug through my closet while I was getting ready to go to dinner with him, and when I'd search for my favorite green, designer sweater with the pearl buttons, I'd usually find it on Little Bo Peep, and my man would say he was cold, he gave it to him while I was in the shower, and he'd buy me another sweater.
I studied how he moved through the wintery world beside me.
I watched him glide with grace and love and kindness and forgiveness and laughter.
He saw something in me nobody else saw and I began to see it too.
He saw my broken from my broken family and my potential to love the way we were all meant to love each other. He made love to me tenderly to heal my broken, and sometimes with hunger to catch my insatiable desire to feel even more alive.
He saw my potential to see, my potential to feel, my potential for empathy and kindness - he taught me how to love the too loud woman checking out at the grocery store and the man who held up the plane and then demanded a different seat after we'd all been waiting a half hour.
He taught me to love the taxi driver who took us to the opera who had eight children who couldn't make his rent. We gave him our tickets, a night at the opera and a check for what he would have made that night.
Love was a verb and we practiced it together.
As a fledging in training, I discovered each of person had a story I didn't know, and every person I judged or laughed at or decided who they were was me hiding from my own humanity, because the truth is it's sometimes hard to see.
I began to see Little Bo Peep whose mascara always seemed to be streaked down his cheeks from crying and I let him into my designer closet. I began to see all of Jack at the Deli - his gruffness was from lack of sleep from taking care of his mother.
Now when I look back on that time, I understand I was with a man who was my spiritual guide but he just looked like an electrician from Philadelphia who left hoagie wrappers on the floor of his red Ford Bronco.
When my writing partner said I should write the scene of me crawling into his open casket after he died, wanting my whole body on top of his whole body one more time - I knew it wouldn't make any sense unless you knew who he was, and who I was.
And who I was becoming.
At the funeral, my knees were soaked from his fourteen year old son's grief snot - he had collapsed into my lap sobbing, and I was stroking his hair. Then I stood up and walked toward the open casket. I had to feel his cold, thick lips sewn or glued shut, his limp hands, his shiny bald head, to be sure he wasn't there.
I put one leg up and hoisted myself into his coffin, and I let out a sound no human being should ever make, or a sound all of us should always make when we have to let go. It was as ancient as the elephant who rocks the bones of the dead.
As ancient as whale song or the Orca who carried her dead baby on her back for weeks and miles.
I'm sure my cousins pulled me out of the coffin, and took my small writhing ball of grief body outside where the trees could hold my sounds.
The man I loved who left too soon - his memory is still there every day to remind me to have compassion and not judgement, because you never know another person's heart until you stop and ask them about their life and listen.
Chaunce launched me out into this magnificent and complicated and tragic world with a heart that had eyes, and I wanted to say this morning that I see you and I want your story and I can receive your story and reflect your goodness and your beauty back to you, as it was done for me.
Once you know how to love, nobody can take that from you.
And everything really is going to be okay, because love heals - it's the best prescription to cure anything.